Fogg Art Museum at Harvard University in Cambridge, Massachusetts, 1895 Architectural acoustics were pretty much a roll of the dice in any given project. Up until the early 1900s, designers and engineers knew very little about the effects of architecture on sound. This degree of acoustic control, however, is a relatively recent phenomenon. We can make churches sound like clubs and clubs sound like opera houses. With sound-proofing and selective-amplification, we can add reverb or take it away. Today, through a combination of passive and active acoustics, architects and acousticians can control the sounds of spaces to fit any kind of need. Architect Eero Saarinen, 1954, image by Daderot (CC BY-SA 3.0) Kresge Auditorium at the Massachusetts Institute of Technology (MIT) in Cambridge, Massachusetts. Active acoustics are sound systems that use technology like speakers and microphones to boost or minimize certain sounds in a spaceā¦and the sonic control they offer can be dynamic and variable and quite dramatic. Materials like carpeting and drapery soak up sound, while materials like glass and porcelain make a room more echoey. Passive acoustics are the materials in a space, like the padding in our studio or wooden floors or plaster walls. There are two primary ways to control the sound of a space: active acoustics and passive acoustics.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |